Showing posts with label Intervention. Show all posts
Showing posts with label Intervention. Show all posts

Monday, 7 November 2011

Project News: Future of the City


Charley Peters, Future Cities (2011), London



The work I produced recently for Smart Urban Stage is now online on the Future of the City pages of the website. In the project, Professor Gordon Wagener, Head of Design, Mercedes-Benz, Stuttgart asked eight international artists and designers to respond to the question, 'In reference to urban mobility, how will design evolve in the upcoming two decades?'

The work I made translated my studio practice into a series of ephemeral drawn interventions in London. I am interested in the lines of movement within the city, and how, as cities continue to grow in the future, the paths of motion of the wandering flaneur intersect the transit of automated transport and vice versa. The works responded to the architectural and natural features of the locations, marking out physical lines and spaces in duct tape in a playful encounter with the urban landscape. Sometimes the placement of the tape collapsed foreground and background features once documented photographically as in the image on the left. The works were not planned and had to be executed quickly in response to the locations.

To accompany the works I wrote the following statement, which can be seen on the Future City site alongside the complete series of images,
'...To navigate through the urban environment we need to react to the materiality of its evolving geography, to learn to play with space and draw lines through a city that respond to our physical experiences. These ephemeral drawings in tape use locations in London as a canvas on which to plot linear journeys and spatial encounters. Lines divide, designate and dictate our urban mobility, but they are also a legacy of our passage through cities as autonomous individuals'

More responses to Gordon Wagener's question will be uploaded over the next few weeks.
The complete series can be seen at: http://www.smart-urban-stage.com/blog/future-of-the-city/how-will-design-evolve-4/


Left: Creating the work, London SW11   Right: Future Cities (2011)

Monday, 17 October 2011

Project News: Future of the City

Work in progress for the Smart Urban Stage Future of the City project

I have been invited to participate in an ongoing project dealing with the future of the city. Initiated by car manufacturers Smart, artists, designers, architects and technologists from different cities around the world are asked to question the urban status quo. Challenged to respond to a question, in this case posed by Gordon Wagener (Head of Design, Mercedes Benz), each project contributor must produce a series of 1-5 photographs as a means of communicating or exploring a notion of a 'future city'. I have been working on a response to Wagener's question, 'In reference to urban mobility (and Megacities) how will design evolve in the upcoming two decades?' My work, a series of drawn and documented interventions in locations around London can be seen online once published on the Future of the City website.

Previous contributions to the Future of the City project can be seen here: http://www.smart-urban-stage.com/

Further information about the project will be posted on Carbon Particles once the work is online.


Thursday, 8 September 2011

TBC Artists' Collective: A Message To... Houston

Charley Peters, A Message To... Paul Neal 'Red' Adair (2011), Folded Paper on Wall




TBC's latest project, A Message To... Houston has now been completed and images of the installation of the works by myself, Laura Davidson and Beverley Bennett are now available at 12-pages.com.

My collaboration with Davidson was inspired by research into the firefighter 'Red' Adair. Davidson interpreted a set of instructions supplied by me relating to a series of drawings made from folded paper for the project (above), which are installed in my studio in London. On the 25th of August Davidson recreated the works in Houston, Texas, and scattered their subsequently burned remnants along the park in the middle of Heights Boulevard, which divides the lanes of traffic travelling across town (below). The work is the latest in TBC's ongoing exploration of drawing as performative, interventionist or documentary medium, moving the act of solitary mark making out of the studio and into a collaborative, interactive environment. For more information about the project click here.
Laura Davidson and Charley Peters, A Message to Paul Neal 'Red' Adair' (2011)

Sunday, 23 January 2011

Project News: A Message To...

A Message To... Ann Oakley (2011)



















A Message To...
On 22 January 2011 members of TBC Artists' Collective - Beverley Bennett, Laura Davidson, Paul Mendez, James Tuitt and myself - travelled to Oxford to complete the first part of a long-term project, 'A Message To...' 

Each artist made a piece of interventionist work inspired by someone who has contributed to the cultural life of Oxford. My work, a drawing in dirt for sociologist Ann Oakley, who has written extensively about women's experiences as housewives and mothers, was installed in a display cabinet in the Pitt Rivers Museum. 

The cabinet, on the first floor of the museum, is directly underneath a vitrine containing ethnographic objects relating to marriage. Oakley graduated from Somerville College, Oxford in 1965, where she is now a Fellow.

 

The site of the dirt drawing intervention in the Pitt Rivers Museum, Oxford

Tuesday, 18 January 2011

Project News: A Message To...

A Message To... Ann Oakley (2011)





TBC Artists' Collective are working on a new long-term project called 'A Message To...' The project will take members of TBC to various UK and international locations to make ephemeral interventionist works based on the cities they travel to. This week the group will travel to Oxford and install postcard-sized art works we have made specifically as a message to a person linked to Oxford who has contributed to national cultural, creative or academic history. 

My work pays homage to Ann Oakley, a writer and a sociologist who graduated from Somerville College, Oxford. She has written extensively and influentially around issues of sex and gender, housework, childbirth and feminist social science. Her 1974 book 'Housewife' inspired my 'A Message To' work, in which she wrote, 'Housework is work directly opposed to the possibility of human self-actualisation'. My drawing is made from dirt samples collected in my studio.

A Message To... Ann Oakley (detail)