CARBON PARTICLES: Public House Projects

Showing posts with label Public House Projects. Show all posts

Sunday, 1 September 2013

Exhibition News: Reduction

Charley Peters, Reduction (2013), Public House Projects, London

Reduction is now closed but there is an archive of the exhibition on the website of Pubic House Projects: publichouseprojects.org and my website: charleypeters.com

Big thanks to all who visited the show.

Saturday, 27 July 2013

Reduction at Public House Projects

My solo show Reduction opened at Public House Projects SE15 last night, featuring new works made with intensely worked graphite on paper. The show continues until 23rd August.

For more information: www.publichouseprojects.org

Tuesday, 11 June 2013

IMG Series: Work in Progress

Charley Peters, Sketches for IMG Series (2013)

I will be showing new work from the IMG Series, which documents folded graphite drawings, in my forthcoming solo show Reduction at Public House Projects, London SE15 4HY. The images above are digital photographic sketches developed while making new work in the series. The exhibition opens on July 26th 2013.

More information about Public House Projects: http://www.publichouseprojects.org

I am currently showing IMG_8535 in the Print & Photo Open Salon 2013 at Charlie Dutton Gallery, London WC1R 4AX.

Sunday, 5 May 2013

Exhibition News: Reduction at Public House Projects

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Information

Charley Peters’ work employs a rational methodology of drawing and painting to generate work with a refined, reductive aesthetic. Interested in the point of collapse between two and three dimensions, her practice examines notions of folded space and visual construction. Using systematic and logical approaches such as repetition, perspective, mathematical patterns and geometry, her work explores the interruption of the two dimensional plane and the manifestation of flatness in three dimensions. Peters’ work is precisely executed, concealing the artist’s hand in its production. Her work can be positioned within a discourse about the condition of painting in a post-digital landscape, exploring the material experience of paint in the age of the screen and the role of analogue programming to generate painted form.

Peters is a contributor to Abstract Critical's monthly blog AbCrit and writes regularly for Saturation Point, the online editorial project for reductive, geometric and systems art in the UK. With artists Patrick Morrissey and Hanz Hancock Peters works as part of the curatorial group Saturation Point Projects who organise exhibitions and events to raise the profile of reductive, geometric and systems-based art practices.

Charley Peters lives and works in London.

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Website: charleypeters.com

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