Showing posts with label reductive art. Show all posts
Showing posts with label reductive art. Show all posts

Friday, 17 April 2015

Exhibition News: From Centre


There are now installation photographs of From Centre on the Slate Projects website. To see them and read more about the show click here.


Thursday, 9 April 2015

Exhibition News: From Centre

Charley Peters, Plexus RGB (2015), Acrylic on Plywood Panel, 30 x 40 x 5cm


I am showing work in From Centre, curated by Saturation Point Projects and Slate Projects, which opens on 11th April at The Loud & Western Building, 65 Broughton Road, SW6 2LE. From Centre is a group exhibition which surveys contemporary approaches to reductive geometric painting, drawing and sculpture. Spanning several generations of artists, born in every decade from the 1930s to the 1980s, From Centre makes the case for the growing relevance of abstract art in the UK today. The exhibition is especially marked by the legacy of the Systems Group and European Constructivism, as well as a number of direct pedagogic connections from Tess Jaray’s tenure at the Slade and Peter Lowe’s at Goldsmiths. Making use of all three floors in a converted laundry factory, the works exhibited expand on the notions of architecture, space and surface, and span the spectrum between systematic and intuitive approaches.
An illustrated catalogue with essays by Nathan Cohen, Laura Davidson and Alex Meurice will accompany the exhibition.
More information here.

Monday, 14 November 2011

Studio Views: Work in Progress, Autosuggestion

Charley Peters  Autosuggestion (detail) (2011), Duct tape on wall

This is the latest work in the ongoing series of wall drawings in duct tape. It develops previous pieces where architectural features intervene with drawn lines by working across floor spaces, ceilings, and, as in this case, around a corner of a room. It is interesting for me to move the disrupted lines drawn on paper in works such as Interruptions (http://www.charleypetersprojects.com/2011/09/studio-views-work-in-progress.html) into real locations, using a physical material such as duct tape to draw with. When being used as a drawing medium the tape moves across both two and three dimensions to delineate lines and spaces. It has the resiliance to be manipulated across a room's different surfaces and visual planes to make a multi-dimensional drawing in space.


Charley Peters, Autosuggestion (2011)

Sunday, 6 November 2011

Studio Views: Work in Progress, Autosuggestion

Charley Peters, Autosuggestion (2011), Duct tape on wall

Autosuggestion is the latest of my recent explorations of drawing with tape directly onto the studio wall. Although still being concerned with the repetition of parallel lines, Autosuggestion also explores geometric form and employs a wider colour palette than in previous tape drawings. This series will continue to develop in the studio over the successive weeks. More images of subsequent work will be posted on Carbon Particles when available.

Charley Peters, Autosuggestion (Detail) (2011), Duct tape on wall

Studio Views: Work in Progress, Psychoparadoxa

Charley Peters, Psychoparadoxa (Work in Progress) (2011), Electrical tape on wall


Psychoparadoxa are new works on the wall (above) and paper (below) that use the notion of perspective drawing as the starting point for geometric explorations of space. In these examples limited colour is used to both explain and confuse the separate planes of foreground and background.

Charley Peters, Psychoparadoxa (sketches) (2011), Pen on paper