Project News: Hybrid (Coming Soon)

The next issue of 12-Pages, the online publication from TBC Artists' Collective, will be available from 8th March. Edited by TBC member Beverley Bennett, the forthcoming issue is entitled Hybrid and will include new work by TBC artists, invited guests and from open submission. I have submitted three new digital drawings, which are a development of my recent Ben-Day dot paintings, which will be seen first in Hybrid on the 12-Pages Online Project Space.

Studio Views: Work in Progress

Studio photograph of work in progress (2011)

The photograph above, taken today in the studio, illustrates current work on a new drawing. Hand-drawn squares of graphite have been repeatedly photocopied until the image surface becomes disrupted, and then the resultant mechanically produced interventions are re-drawn exactly by hand.

Work in progress (2011)

Project News: Windows (Coming Soon)

Charley Peters, Window V Windows (2011)

Window V Windows is a new work for TBC Artists' Collective's forthcoming publication 'Windows', which will soon be available to view on the 12-Pages Online Project Space. It used the photograph View from the Window at Le Gras as source material from which to make a work for the February issue of TBC's online publication. View from the Window at Le Gras was the first permanent photograph, created by Nicéphore Niépce in 1826 in Saint-Loup-de-Varennes, France. Niépce produced his photograph—a view of a courtyard and outbuildings seen from the house’s upstairs window—by exposing a bitumen-coated plate in a camera obscura for eight hours on his windowsill. In Window V Windows Niépce's seminal work has been glitched by opening it in Wordpad for Windows and intervening in the image's coding, creating a mash-up of analogue and digital photographic data.

'Windows' by TBC Artists' Collective will be online at www.12-pages.com soon, featuring specially commissioned work by TBC Members and their invited guests.

Nicéphore Niépce, View from the Window at Le Gras (1826)

Studio Views: Work in Progress

Studio photograph of work in progress 29/01/11

Yesterday, work started on developing an earlier sketch from the Child/Animal/Other series. The work entails recreating material found from a google image search for 'child and animal', by rendering the individual elements of visual data that make up the image, in this case from a digital print of a half tone pixel-based photograph.

Work in Progress (Detail)

Studio Views: CMYK Sketches

CMYK Sketches (2011) Acrylic on Canvas

CMYK Sketches (Detail)

CMYK Sketches (2011) Acrylic on Paper

CMYK Sketches (Detail)

Developmental sketches exploring a limited Cyan, Magenta, Yellow and Black palette. The paint is applied in layers onto the paintings' surfaces, where the colour mixing occurs – rather than mixing it on a palette prior to application. The process continues with my exploration of replicating mechanised image-making processes by hand, in this case suggesting a four colour printing process or screenprinting.

Project News: A Message To...

A Message To... Ann Oakley (2011)

A Message To...

On 22 January 2011 members of TBC Artists' Collective - Beverley Bennett, Laura Davidson, Paul Mendez, James Tuitt and myself - travelled to Oxford to complete the first part of a long-term project, 'A Message To...' 

Each artist made a piece of interventionist work inspired by someone who has contributed to the cultural life of Oxford. My work, a drawing in dirt for sociologist Ann Oakley, who has written extensively about women's experiences as housewives and mothers, was installed in a display cabinet in the Pitt Rivers Museum. 

The cabinet, on the first floor of the museum, is directly underneath a vitrine containing ethnographic objects relating to marriage. Oakley graduated from Somerville College, Oxford in 1965, where she is now a Fellow.

 

The site of the dirt drawing intervention in the Pitt Rivers Museum, Oxford

Project News: TBC Do it Again, and Again, and Again

The Double Walkers (2010)

The Double Walkers, 100 drawings of a photocopier 'copy' button is my contribution to the current issue of 12-Pages, which can be seen now on TBC Artists' Collective's online project space. Edited by James Tuitt, 'Do it Again, and Again, and Again' focuses on the repetitive and absorbing nature of contemporary drawing practices.

See more at www.12-pages.com