Charley Peters, Works on Paper (2013), Acrylic on Paper |
Saturday, 21 December 2013
This Year's Model, Studio 1.1 London
Charley Peters, _MG_2442 (2013), Pigment Print, 30.5 x 40.6cm |
Sunday, 15 December 2013
First Come First Served, Lion and Lamb Gallery London
Charley Peters, #3455 (2013), Acrylic on Paper |
I am currently exhibiting the above painting at the Lion and Lamb Gallery's First Come First Served, which showcases works on paper.
First Come First Served is open Monday 1pm-11pm, Tuesday 12pm-11pm, Sunday 12pm-10pm
Lion and Lamb Gallery, Fanshaw Street, London N1 6LG.
Monday, 2 December 2013
Sunday, 17 November 2013
Charley Peters, Photo(332-339).jpg (2013), Pigment Prints |
I am delighted to have been offered a New Collaborations Bursary by A-N to support a period of practice-based research with photographer/photographic printer Eddie Otchere. The progress and outcomes of the collaboration are being documented on an A-N Artists Talking blog, Project Trondheim: An Investigation into the Common Ground between Drawing and Photography, which can be read here:
http://www.a-n.co.uk/artists_talking/projects/preview/3999807
Saturday, 21 September 2013
Exhibition News: ArtLacuna Prize
Charley Peters, Continuum (2013), Pencil on Computer Listing Paper |
I am delighted to have been shortlisted for the ArtLacuna Prize. Works were selected by a panel including Julia Alvarez, Sonia Boyce and Jamie Shovlin and will be exhibited at ArtLacuna | SPACE between 4th-20th October.
The Preview is Friday 10th October, 7-9pm at ArtLacuna | SPACE, 48 Falcon Road, London SW11 2LR
Sunday, 1 September 2013
Exhibition News: Reduction
Charley Peters, Reduction (2013), Public House Projects, London |
Big thanks to all who visited the show.
Saturday, 27 July 2013
Reduction at Public House Projects
My solo show Reduction opened at Public House Projects SE15 last night, featuring new works made with intensely worked graphite on paper. The show continues until 23rd August.
For more information: www.publichouseprojects.org
For more information: www.publichouseprojects.org
Tuesday, 2 July 2013
Shelf Life: Leytonstone Arts Trail
Charley Peters, Continuum (2013), Graphite on Computer Listing Paper, inspired by the book The Revolution will be Digitised: Despatches from the Information War by Heather Brooke |
Artists: Hannah Futers, Caro Halford, Kirsty Harris, Julia Miranda, Moorland Productions, Laurie Nouchka, Jane Oldfield, Charley Peters, Paul Stanley, Susanna Thornton, Ventiko, Jemma Watts and Sarah West.
The Preview is Thursday 4 July, 6.30-8.30pm.
The show runs 6-14 July, Mon-Fri 9am-7pm, Saturday 9am-6pm and Sunday 12-4pm.
Leytonstone Library, 6 Church lane, London E11 1HG
Tuesday, 11 June 2013
IMG Series: Work in Progress
Charley Peters, Sketches for IMG Series (2013) |
More information about Public House Projects: http://www.publichouseprojects.org
I am currently showing IMG_8535 in the Print & Photo Open Salon 2013 at Charlie Dutton Gallery, London WC1R 4AX.
Exhibition News: Charlie Dutton Gallery
I am currently showing a piece of work in the Photo & Print Open Salon 2013 at Charlie Dutton Gallery, London WC1R 4AX. The work in the exhibition was selected by artist John Stezaker and gallerists Julia Muggenburg, Charlie Dutton and Kate Saffin.
For more information and opening times: http://www.charlieduttongallery.com/photo&print/P&P%202013.html
Sunday, 5 May 2013
Tuesday, 23 April 2013
Untitled Wall Drawing
Sunday, 14 April 2013
Saturday, 13 April 2013
Saturday, 6 April 2013
Surface Disruptions and Colour Interference - Documenting Drawings
These photographs are part of a series documenting graphite drawings on newsprint. The delicate surface of the newsprint is distorted and creased by the act of repetitively drawing heavy graphite lines. Light acting on the metallic surface of the drawings when photographed reveals the extent of the disturbance to the paper, and the influence of the colour temperature of the light on the monochromatic drawing is also suggested in its documentation.
Sunday, 24 March 2013
Work in Progress: Wall Drawing
Charley Peters, Sketch for a Wall Drawing (2013), Graphite, Spray Paint, Fluorescent Paint, Card & Pins. Approx 120cm x 90cm |
Charley Peters, Sketch for a Wall Drawing (2013) (Detail) |
Sketches
Work in Progress: Graphite and Tape
Work in Progress: Graphite Drawings
Charley Peters, Untitled (2013), Photographs of Graphite Drawings |
Continuing from recent explorations of drawing and reflected light, these photographs record the surface of four drawings in graphite on newsprint. The delicate surface of the paper is stretched and creased by repetitively drawn lines, intensely worked until the entire paper is covered with graphite. During the process of photographing the drawings, the camera records the light reflected off their surface, and the effect of the drawing process on the paper.
Thursday, 7 March 2013
Sketches
Tuesday, 22 January 2013
Charley Peters, Drawing from Sketchbook, Centre for Drawing Residency (2013), Acrylic on Paper |
I am two days into my residency at the Centre for Drawing. You can follow my progress on my Artists Talking blog: http://www.a-n.co.uk/artists_talking/projects/single/2831840
Friday, 18 January 2013
Residency: Centre for Drawing
The Centre for Drawing, UAL London |
I will be documenting the residency on a blog hosted by AN Artists Talking. To read it, follow the link: http://www.a-n.co.uk/artists_talking/projects/preview/2831840
Saturday, 12 January 2013
Monday, 7 January 2013
Exhibition News: Axiom
Charley Peters, Axiom (2013), Installation in ASC Window Gallery |
I currently have a show, Axiom, installed in the ASC Window Space, London SE1 8EQ. The work explores the spatial relationships between four paintings in the gallery space, using light to extend the works or 'draw' onto the gallery wall.
Axiom is in the ASC Window Space until 5 February. There is more information here:
http://www.ascstudios.co.uk/event/asc-window-space-charley-peters-07-january-05-february-2013/
Charley Peters, Axiom (2013), Detail |
Wednesday, 2 January 2013
A-N Interface Writing Bursary
I am pleased to have been selected to receive a bursary from A-N Interface to write a review of the forthcoming exhibition Young Gods 2012. The 2012 edition of the annual exhibition Young Gods will take place simultaneously across two locations in west and east London. Selected and curated by Zavier Ellis, director of Shoreditch gallery CHARLIE SMITH london and co-founder of THE FUTURE CAN WAIT, the exhibition will be a multi-disciplinary presentation of London’s most exciting graduates from the summer of 2012.
Young Gods 2012 opens on 9th and 10th of January in two locations in London. My review will be published shortly afterwards, further details to follow.
My proposal for receiving the bursary outlines my interest in the exhibition:
Young Gods 2012 will present work by ‘London’s most exciting recent graduates.’ How will the selected work reflect a sensibility of the time; what does the newest and most exciting young art of 2012 look like? Will the exhibition look back reflectively at 2012 or moreover show us the forthcoming face of contemporary art? Young Gods 2012 is happening at a significant time, the landscape of graduate experience is currently in a time of change and its future is uncertain. New models of education and professional development for emerging artists are being developed outside of the university model and the tradition of ‘best of’ graduate shows could soon be a relic of a previous era in art and education history. Could Young Gods 2012 be the beginning of the end?
Young Gods 2012 opens on 9th and 10th of January in two locations in London. My review will be published shortly afterwards, further details to follow.
My proposal for receiving the bursary outlines my interest in the exhibition:
Young Gods 2012 will present work by ‘London’s most exciting recent graduates.’ How will the selected work reflect a sensibility of the time; what does the newest and most exciting young art of 2012 look like? Will the exhibition look back reflectively at 2012 or moreover show us the forthcoming face of contemporary art? Young Gods 2012 is happening at a significant time, the landscape of graduate experience is currently in a time of change and its future is uncertain. New models of education and professional development for emerging artists are being developed outside of the university model and the tradition of ‘best of’ graduate shows could soon be a relic of a previous era in art and education history. Could Young Gods 2012 be the beginning of the end?
Tuesday, 1 January 2013
Stephen Farthing, Blueprint for a New Centre for Drawing |
Between 21 January and 1 February 2013 I will be Artist in Residence at the Centre for Drawing (CfD), a University of the Arts London research centre based at Wimbledon College of Arts. During the two week residency I will be working on site at CfD in the residency studio/project space to generate a new body of work in response to the studio environment.
During my preparation for the residency and the time on site at CfD I will be documenting my activities and thoughts on a project blog: http://www.a-n.co.uk/artists_talking/projects/previewPost/2831918
Centre for Drawing is a network designed to encourage; creative thinking and cross-disciplinary discovery that is focused on the scholarly and imaginative exploration of the boundaries of drawing. There is more information about CfD on the Centre's blog: http://thecentrefordrawingual.com
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