Showing posts with label tape drawing. Show all posts
Showing posts with label tape drawing. Show all posts
Wednesday, 14 May 2014
My recent commission from Peanut Butter Thoughts (PBT) can now be viewed online here:
http://peanutbutterthoughts.com/regulars/5-art/charley-peters/
PBT is a celebration of the best in online creativity from both emerging and established artists. The Monuments project challenges artists to make a new body of work from £5 that they provide. The work is presented online with a short interview.
Sunday, 24 March 2013
Work in Progress: Graphite and Tape
Wednesday, 24 October 2012
Bad Behaviour at Brixton East
Sunday, 21 October 2012
Bad Behaviour at Brixton East
![]() |
| Charley Peters, Propagation of Disruption (2012), Gaffer Tape, Wood, Acrylic Paint, Light |
Bad Behaviour at Brixton East is on for one more week. I have four pieces of work in the show including Propagation of Disruption (shown above), which was made on site and in response to the gallery space at Brixton East.
For more information about the exhibition see: www.badbehaviourexhibition.com
Thursday, 9 August 2012
Monday, 26 March 2012
Thursday, 15 March 2012
Sketches: Wall and Floor Drawings
![]() |
| Charley Peters, Untitled Drawing (2012), Duct Tape and Card |
![]() |
| Charley Peters, Untitled Drawings (2012), Duct Tape and Card |
These images document the development of a series of studio drawings using duct tape and card. I was interested in translating the straight lines and geometric forms of my recent drawings on paper into a more physical encounter in space using the studio wall and floor as a surface on which to 'draw'. Limited colour intervenes with the material forms, which were created by folding and placing the individual pieces of card to create particular, deliberate lines. The drawings above evolved through a series of fluid and playful engagements with the materials within a controlled space, developing from the initial monochromatic structures shown below.
![]() |
| Charley Peters, Untitled Drawings (2012), Duct Tape and Card |
Monday, 14 November 2011
Studio Views: Work in Progress, Autosuggestion
![]() |
| Charley Peters Autosuggestion (detail) (2011), Duct tape on wall |
This is the latest work in the ongoing series of wall drawings in duct tape. It develops previous pieces where architectural features intervene with drawn lines by working across floor spaces, ceilings, and, as in this case, around a corner of a room. It is interesting for me to move the disrupted lines drawn on paper in works such as Interruptions (http://www.charleypetersprojects.com/2011/09/studio-views-work-in-progress.html) into real locations, using a physical material such as duct tape to draw with. When being used as a drawing medium the tape moves across both two and three dimensions to delineate lines and spaces. It has the resiliance to be manipulated across a room's different surfaces and visual planes to make a multi-dimensional drawing in space.
![]() |
| Charley Peters, Autosuggestion (2011) |
Monday, 7 November 2011
Project News: Future of the City
![]() |
| Charley Peters, Future Cities (2011), London |
The work I produced recently for Smart Urban Stage is now online on the Future of the City pages of the website. In the project, Professor Gordon Wagener, Head of Design, Mercedes-Benz, Stuttgart asked eight international artists and designers to respond to the question, 'In reference to urban mobility, how will design evolve in the upcoming two decades?'
The work I made translated my studio practice into a series of ephemeral drawn interventions in London. I am interested in the lines of movement within the city, and how, as cities continue to grow in the future, the paths of motion of the wandering flaneur intersect the transit of automated transport and vice versa. The works responded to the architectural and natural features of the locations, marking out physical lines and spaces in duct tape in a playful encounter with the urban landscape. Sometimes the placement of the tape collapsed foreground and background features once documented photographically as in the image on the left. The works were not planned and had to be executed quickly in response to the locations.
To accompany the works I wrote the following statement, which can be seen on the Future City site alongside the complete series of images,
'...To navigate through the urban environment we need to react to the materiality of its evolving geography, to learn to play with space and draw lines through a city that respond to our physical experiences. These ephemeral drawings in tape use locations in London as a canvas on which to plot linear journeys and spatial encounters. Lines divide, designate and dictate our urban mobility, but they are also a legacy of our passage through cities as autonomous individuals'
More responses to Gordon Wagener's question will be uploaded over the next few weeks.
The complete series can be seen at: http://www.smart-urban-stage.com/blog/future-of-the-city/how-will-design-evolve-4/
![]() |
| Left: Creating the work, London SW11 Right: Future Cities (2011) |
Sunday, 6 November 2011
Studio Views: Work in Progress, Autosuggestion
![]() |
| Charley Peters, Autosuggestion (2011), Duct tape on wall |
Autosuggestion is the latest of my recent explorations of drawing with tape directly onto the studio wall. Although still being concerned with the repetition of parallel lines, Autosuggestion also explores geometric form and employs a wider colour palette than in previous tape drawings. This series will continue to develop in the studio over the successive weeks. More images of subsequent work will be posted on Carbon Particles when available.
![]() |
| Charley Peters, Autosuggestion (Detail) (2011), Duct tape on wall |
Studio Views: Work in Progress, Psychoparadoxa
![]() |
| Charley Peters, Psychoparadoxa (Work in Progress) (2011), Electrical tape on wall |
Psychoparadoxa are new works on the wall (above) and paper (below) that use the notion of perspective drawing as the starting point for geometric explorations of space. In these examples limited colour is used to both explain and confuse the separate planes of foreground and background.
![]() |
| Charley Peters, Psychoparadoxa (sketches) (2011), Pen on paper |
Sunday, 18 September 2011
Studio Views: Work in Progress, Covariance Series
Thursday, 21 July 2011
Project News: Altered States on TBC Online Project Space
![]() |
| Charley Peters, DS329-1/DS9-5 (2011), Hazard Tape on Canvas |
“A revolutionary action within culture cannot have as its aim to be the expression or analysis of life; it must aim at life’s expansion. Misery must be pushed back everywhere.”
Guy Debord
Available on TBC Artists' Collective's online project space is Issue 8 of 12-Pages, a publication of contemporary drawing. July's issue, Altered States, edited by TBC member Laura Davidson, asked contributors to consider art as a catalyst for change. It was important that these ideas were considered in the widest possible sense, to bring a sense of plurality to a changed state. As we know too well, the drive for a reformed state in Europe post WW1 lead to in Germany, Italy and Spain the spectre of Fascism and in the East of Europe the steel face of Communism. Such extremes of belief today seem less significant in the age of Web 2.0, where multiple states of exchange between individuals can seemingly co-exist. As 12-pages’ editorial remit is to create a discourse around contemporary drawing practice and its definition, the featured outcomes additionally challenge the ‘drawing’ in some way.
For Altered States, I submitted the work DS329-1/DS9-5, a drawing made by stretching hazard warning tape over a canvas. The title refers to the pantone references of the yellow and black of the tape, colours synonymous with danger, emergency or violent criminal activity. Altered States editor Laura Davidson wrote about the work, 'Removed from its original signifying concept the tape has been used to make marks, instead of warning of imminent danger. This removal of signifier through drawing practice gives an engaged process based response.'
Altered States can be seen at: http://www.12-pages.com/2011/07/altered-states.html
Friday, 10 June 2011
Studio Views: Work in Progress, Covariance Series
![]() | |||||||||||||||||||
| Charley Peters Covariance (2011), Electrical Tape, Canvas, Wall. |
![]() |
| Covariance (2011) (Detail) |
These photographs document the beginning of a new series of work, provisionally called Covariance. The work is concerned with the interruption of a series of lines as they encounter a raised surface, in this case a canvas on the studio wall. The lines are made from electrical tape, stretched across the wall and over the canvas, which interferes with the lines' passage across the flat surface.
--
covariance (kəʊˈvɛərɪəns) — noun
statistics a measure of the association between two random variables, equal to the expected value of the product of the deviations from the mean of the two variables, and estimated by the sum of products of deviations from the sample mean for associated values of the two variables, divided by the number of sample points. Written as: Cov ( X, Y )
![]() |
| Covariance (2011) Digital Preparatory Drawings |
Friday, 6 May 2011
Subscribe to:
Posts (Atom)























